The Heong Gallery at Downing College, University of Cambridge, is delighted to announce the UK presentation of The Court of Redonda – a major solo exhibition by Stephen Chambers RA, following its highly acclaimed unveiling as a Collateral Event of the 2017 Venice Biennale.
The Court of Redonda is a vast collective portrait of an imaginary court of maverick and singular individuals. The installation of 101 paintings articulates the role played by artists in envisaging a world not how it is, but how it could be. Featuring subjects drawn from different epochs and cultures and hung with reference to historic portrait collections, the court imagines a utopian society that celebrates the creative and idiosyncratic.
The Court of Redonda is inspired by a literary legend that has developed around a tiny, uninhabited island in the Caribbean Sea. Redonda was claimed in 1865 by a merchant trader who established an honorary monarchy that has been passed down to the present through a literary lineage. Collisions in fact and fiction about the island are described by the novelist Javier Marías, who was until recently a King of Redonda. Sparked by a ‘mental collaboration’ with Marías, who appointed many notable writers and artists to his imaginary court, Chambers has created a collective of individuals, where creativity is honoured over hereditary privilege.
Curated by Emma Hill, The Court of Redonda was made over a two-year period that coincided with Britain’s referendum about leaving the European Union andtouches upon themes of identity, heredity and nationalism.
